1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..  Related Paintings of Francisco de Zurbaran :. | the eternal father | Anthony Abbot by Zurbaran | Hl. Hieronymus | around | st. ursula |
Related Artists:
KEUNINCK, Kerstiaen
Flemish painter (b. 1560, Kortrijk, d. 1632/3, Antwerpen) Flemish painter. Although from Courtrai, from an early age he lived in Antwerp. He was listed in 1577 as one of the recipients of the Poor-box (armenbus) of the Antwerp Guild of St Luke, where he was received as master in 1580. He married in 1585. De Keuninck took on Carel de Ferrara as an apprentice in 1599. His son Kerstiaen de Keuninck the younger (d 1642-3) became a master in 1613.
ALBERTINELLI Mariotto
Italian Early Renaissance Painter, 1474-1515 Italian painter. Albertinelli's contribution to the Florentine High Renaissance was inspired by the work of FRA BARTOLOMMEO, and the two artists worked together in a partnership, their paintings appearing to be the product of a single hand. Albertinelli, however, always retained artistic independence, as is revealed in certain paintings that are eccentrically archaic and in others that show a preference for conventions more typical of the early Renaissance.
Charles Bird King
American Painter, 1785-1862,is a United States artist who is best known for his portraiture. In particular, the artist is notable for the portraits he painted of Native American delegates coming to Washington D.C., which were commissioned by government's Bureau of Indian Affairs. Charles Bird King was born in Newport, Rhode Island as the only child of Deborah Bird and American Revolutionary veteran Captain Zebulon King. The family traveled west, but when King was four years old, his father was killed and scalped by Native Americans near Marietta, Ohio. King and his mother moved back to Newport to live with Bird's mother. When King was fifteen, he went to New York to study under the portrait painter Edward Savage. At age twenty he moved to London to study under the famous painter Benjamin West at the esteemed Royal Academy. King returned to the U.S. due to the War of 1812 after a seven-year stay in London, and spent time working in Philadelphia, Baltimore, and Richmond. He eventually settled in Washington, due to the economic appeal that the burgeoning city offered. In the nation's new capital, the artist earned a solid reputation as a portraitist among politicians, and earned enough to maintain his own studio and gallery. King's economic success in the art world, particularly in the field of portraiture, had more to do with his ability to socialize with the wealthy celebrities, and relate to the well educated politicians of the time: His industry and simple habits enabled him to acquire a handsome competence, and his amiable and exemplary character won him many friendse . These patrons included John Quincy Adams, John Calhoun, Henry Clay, James Monroe, and Daniel Webster .